A couple of brisk 8 pagers from Walt Disney Comics and Stories No. 113, February, 1950. This first one is a Li’l Bad Wolf story written, penciled and inked by Gil Turner.
No son ever loved a father more that did Li’l Wolf. His father, Zeke Wolf, loved being bad. His long, toothy snout drooled at the thought of the three little pigs, forever grinning at the thought of eating them. Li’l Wolf would not allow his father to degrade himself in evil, however, and always saved his dad from the disgrace of his own nature.
This tale of found good fortune is a fine lesson in how to tell an 8 page comic story. Bravo, Mr. Turner. Bravo, also, to Walt Kelly for the cover. All scans are from my own comic.
No son ever loved a father more that did Li’l Wolf. His father, Zeke Wolf, loved being bad. His long, toothy snout drooled at the thought of the three little pigs, forever grinning at the thought of eating them. Li’l Wolf would not allow his father to degrade himself in evil, however, and always saved his dad from the disgrace of his own nature.
This tale of found good fortune is a fine lesson in how to tell an 8 page comic story. Bravo, Mr. Turner. Bravo, also, to Walt Kelly for the cover. All scans are from my own comic.









Have you ever wondered in an idle moment what the world looks like to a bug? Here’s your answer.
This second tale is a rhyming fable, as were all Bucky Bug stories. The art is by the great Tony Strobl, who is on most people’s short list of funny animal all-time-greats. Much like the aforementioned Kelly, Strobl could go cute without a trace of cloying sugar. I love the details Strobl brings to the bug’s world, which was the magic of these tales – a pipe for a furnace, a matchbook for a table, etc.
I also love that the bugs live so happily in Junkville, among all the junk.
This second tale is a rhyming fable, as were all Bucky Bug stories. The art is by the great Tony Strobl, who is on most people’s short list of funny animal all-time-greats. Much like the aforementioned Kelly, Strobl could go cute without a trace of cloying sugar. I love the details Strobl brings to the bug’s world, which was the magic of these tales – a pipe for a furnace, a matchbook for a table, etc.
I also love that the bugs live so happily in Junkville, among all the junk.








Last but not least is a two-color story from the back cover. Make that certainly not least, consider the art is by Al Taliaferro.









































